Saturday, May 19, 2012

DC ARTISTS HELINA METAFERIA AND AMBER ROBLES-GORDON PRESENT A DUAL SOLO SHOW AT RIVERVIEWS






















20 April 2012

For Immediate Release

Contact:
Erin Stover-Zumwalt
Exhibition and Program Manager
Riverviews Artspace
434-847-7277



For its latest exhibition, Riverviews is pleased to present the work of two acclaimed artists, Amber Robles-Gordon and Helina Metaferia.  Robles-Gordon will present her assemblage work and paintings, which draw on her memories and how they relate to her life experience as an African American woman.  Metaferia will exhibit her drawings and paintings which focus on metaphysical ideas of femininity.  Both women are also creating site-specific installations for Riverviews.
The exhibition will open with a First Friday reception on May 4th and will run through June 24th.

First Friday Opening Reception: March 2, 5:30-8:00pm
Helina Metaferia & Amber Robles-Gordon
Amber Robles-Gordon is a mixed media artist who works mostly in assemblage. The work she creates is representational of her experiences and the paradoxes within the female experience. She focuses on fusing found objects to convey her own personal memories, inspired by nature, and her belief in recycling energy and materials. Robles-Gordon has been creating and extensively exhibiting her work for over 15 years. She has exhibited in California, Germany, Italy, Malaysia, New York, Ohio, Spain and throughout the Washington, D.C. Metropolitan area. Robles-Gordon has also been invited by the Smithsonian and other organizations to teach workshops and was commissioned by the DC Commission on the Arts and Humanities in 2010 to create a mural for the Windows in to DC project at the Walter E. Washington Convention Center. In 2010, she also completed her Masters of Fine Arts from Howard University. Most recently, she has been granted an apprenticeship from the D.C. Commission on the Arts and Humanities, D.C. Creates Public Arts Program. Robles-Gordon is also the President of Black Artists of DC (BADC), a group whose aim is to elevate the visibility of Black artists in DC and beyond. 
 


Helina Metaferia is an Ethiopian-American artist specializing in mixed media artwork. She works with themes of power, self-realization, and femininity. An intuitive artist, she combines the process of introspective meditation and creative art forms in order to tap into a higher consciousness. Her art has been shown in museums and galleries nationwide. She has also completed over fifteen large scale murals in the Washington, DC region. Helina received her formal art education at Temple University's Tyler School of Art and at Morgan State University.  In addition to working as a fine artist, Helina is the founder of The Meta Experience, a visual and healing arts company that provides creative wellness services. She is a certified holistic practitioner in Integrative Yoga Therapy, Shiatsu and Thai Massage, and is a Reiki Master. She has been teaching visual and healing art classes in community based programs since 2004.
For more information, please call 434.847.7277 or visit www.riverviews.net.  All First Friday events at Riverviews are free and open to the public.




-END-

Tuesday, March 13, 2012

With Every Fiber of My Being: Exhibition Concept




With Every Fiber of My Being

The phrase With Every Fiber of My Being captures the energy I bring to my creative process, my artwork, and how I relate to life.  Fibers, are everywhere in the body, they work in intricately bounded bundles to funnel and connect the life force with information and nutrients that sustain a fully functioning organism[1].

I create with every fiber of my being, because I have to and because it brings me joy. Starting at the bundles of axons within my brain, to every hair fiber and through the nerves of my muscles, a network of fibers precisely distributed throughout wants to see, smell, hear, taste, and create, art.

In this series, I am interested in creating a visual representation of the pieces that make up the mental, physical, spiritual and emotional aspects that make one human.  I use personal items: parts of old purses, jeans, jackets, and jewelry. As well as stamps, post cards, and old cd cover artwork. Most of these things will be recognizable at first glance. Although, I hope that some items won’t be, at least at first. My intent is show the process of creating and exploring the layers of one’s self, one fiber at time. Then to notice a bundle, and then to see, and identify the life source that flow within each piece of art.  Ultimately to the view the whole body artwork as living, breathing organisms.  
  
With Every Fiber of my Being refers to my overall beliefs that creating art is a means of promoting healing. Creating textile work is a very precise and time-consuming task:  Every tile, piece of paper, cloth, or stitch of thread must be properly placed in order to craft the intended compacted mosaic of information. Hence, there are very few visual resting points with in a portion of these works. This is intentional, because when do the fibers of our being ever rest.


I will present a body of mixed media on canvas and sculptural textile works. The majority of the artwork will be a combination of found objects and other fiber products sewn or adhered to canvas. 

-Amber Robles-Gordon 


With Every Fiber of My Being
Amber Robles-Gordon
MARCH 9 – APRIL 27 2012
 

 Honfleur Gallery
1241 Good Hope Road SE · Washington DC 20020 · 202-365-8392 · arts@archdc.org
Hours: Tuesday-Friday 12-5 · Saturdays 11-5 · And by appointment

 http://www.honfleurgallery.com/
 


[1] Merriam-Webster, http://www.merriam-webster.com/dictionary/fiber, January      11, 2012

Fibers, Filaments, and Fragments: Amber Robles-Gordon and the Deconstruction of Self














With Every Fiber of My Being
Amber Robles-Gordon
MARCH 9 – APRIL 27 2012




By Jessica N. Bell

The power of a fiber rests within the nature of its unitary value. The interconnectivity of fibers creates a whole, an object that comes into existence because of the unification of its parts. Memory, personhood, and identity are conflated with the materiality of our things- our fashions, our gadgets, the products we buy, the things we keep and the detritus we discard. Our sense of “being” can be discovered with a thorough examination of what we leave behind. What we value, things we remember, in the modern world, material culture is the conduit to the self. In the meticulously rendered textile and mixed media sculptures of the exhibition “With Every Fiber of My Being”, artist Amber Robles-Gordon destabilizes the power of the fiber in its familiar context of object-hood, by restructuring the parameters with which the viewers come to understand it; fibers and filaments transform into representations of a deeper sense of one’s personal memory and self-constituted identity.

The intentional fragmentation of an object conveys an act of disjuncture- a ripping apart, a shredding of, a tearing up- of familiarity, of stability, of normality. So, what happens when this disjuncture becomes a repetitive act of labor in self-rendering? Binaries explode. Polarization’s collide. Linear understandings of histories become a painterly, disjointed pointillism. Robles-Gordon destabilizes the specificity of our “stuff”- lace adorned dresses, rackets, worn t-shirts, beaded bracelets, badminton balls, etc.- and threads together a reformed sense of self through abstracted amalgamations of material culture. In Air, Water, and Earth. Layers of Self, Robles-Gordon’s mixed media sculpture reshapes disparate parts and fragments into lines of color that coalesce in a circular form.
Principles of abstraction are still at play in this sculptural entanglement. Excised from objects disjoined from their past modalities, filaments function as undulating lines of color across the picture plane. Grid-like wires attempt to contain the rotund mass, creating a vivid, precarious sense of tension and fragility. It is in this moment of contained visual clutter and chaos, in which power is reassigned and the accepted meaning or constitution of object-hood is simultaneously bifurcated into its past and re-situated at the limen- a space of betweenness where agency flourishes and categories collapse.

The condition of the postmodern and millennial artist is also situated at the liminal space of particularity, where sampling and fragmentation meet at the axis of hybridity. Furthermore, contemporary practitioners like Egypt-born, New York-based Ghada Amer, as well as South African artists Nicholas Hlobo and Nandipha Mntambo, have taken to the act of immolating textiles and objects to reconstruct notions of gender, sexuality, and personal identity. Through tedious and laborious acts of puncture, stitching, and re-binding fragments, the artist could possibly regain control of representation and the deconstruction of self vis-à-vis the destruction of object-hood. In short, the artist can reconstitute the self through reassigning the meaning and function of parts of things ripped apart and ruptured.  This new modality and materiality relies upon the vocabulary of fibers and filaments strung and threaded along to chart new spaces of visual memory and selfhood.


Jessica N. Bell
http://www.jessicanbell.com/


 Honfleur Gallery
1241 Good Hope Road SE · Washington DC 20020 · 202-365-8392 · arts@archdc.org
Hours: Tuesday-Friday 12-5 · Saturdays 11-5 · And by appointment

 http://www.honfleurgallery.com/

ArtSlant: (#1 contempory art network) New York Armory Week Adition








                                                   ARTSLANT'S SPECIAL EDITION

                                                   New York Armory Week #2



Where to See the Art World

(and probably some art). with Collin Munn & the ArtSlant Team







Clifford Owens, Anthology (Nsenga Knight), 2011, 2 C-prints, 40x60 in (ea). Courtesy of On Stellar Rays. On view at The Armory Show, Pier 94, Booth 521.



The party scene in New York is elusive, diverse, and very difficult to pin down – all things that can be overwhelming, but also exciting, because you can find really anything you want. The key is to be flexibly dressed. Dark colors and uncomfortable looking shoes are a good bet so that you can go right from champagne and amuse-bouche to a dirty warehouse party in Brooklyn, and not look out of place at either. Speaking of Brooklyn, that tends to be where the real party is at but there are still some fun options left on the island, especially during New York’s glittery Armory Week.

If you want to play with the big guns and have little mind for your pocket book, then the event to go to is definitely the Amory’s official party hosted at MoMA.  It takes place every year on the Wednesday before the fair opens to the public (March 7th, 2012). Last year, MoMA’s bash had musical entertainment provided by Kate Nash, but this year we can expect to see urban-twenty-something favorite Neon Indian perform in the MoMA lobby. For people spotting and photo opportunities this is the party to attend.









Ola Kolehmainen, Untitled (No. 6), C-print. Courtesy of Bryce Wolkowitz Gallery. On view at The Armory Show, Pier 94.

If playing the socialite isn’t appealing, there are always smaller fairs springing up that attempt to distinguish themselves as hipper and “less commercial” than the mother fair, and have plenty of opportunities for mingling with the often younger strata of the art world.  Here’s where you’ll find the emerging artists and the boutique galleries that work with them. These parties tend to be about running into friends, meeting potential contacts and collaborators, and seeing new work.

Your first stop should be Independent in Chelsea, which has a very relaxed vibe with a great selection of galleries, a fun opening party, and an excellent assortment of people to meet, like the staff of Elizabeth Dee gallery which has been putting up some of New York’s hottest shows. Also, make your way to Berlin/London gallery Sprüth Magers’ booth; they have a great presence in both of these art capitals, and it is a good place to find like-minded party people looking for that euro-chic vibe in the Big Apple. And another must-do is PooL. PooL Art Fair has an eclectic selection of unrepresented artists - and if you can, their Vernissage party on Friday March 9th is a good bet (if you are invited that is …and hopefully we won’t have a repeat of the Miami debacle when the PooL hotel venue was shut down before the party even started…).






Aakash Nihalani, Stack, 2011, site-specific installation. Courtesy of Carmichael Gallery. On view at Volta NY.


Editor's note: Collin had to dash...but read on for more about where to go and who to see, here.

See you in New York!

-–Collin Munn & the ArtSlant Team


ARTSLANT INSIDER* - Artspace



Artspace is the premier online marketplace for contemporary art, offering collectors and aspiring collectors the opportunity to discover, learn about and collect art from the top contemporary artists in the world at insider prices. Artspace curators collaborate with internationally renowned artists, museums and galleries to provide the world's best collection of contemporary art online, in a single location. Artspaceserves as a trusted art advisor offering information and education on every featured artist and work on the site in order to provide members with the details they need to make informed and confident purchase decisions. Membership to Artspace is free, prices start at $200 and every sale of artwork on the site supports an artist, cultural institution  or non-profit organization. For more information, visit Artspace.com.

TALK OF THE WEEK - SCOPE & Vision with Lori Zimmer



Paul Wackers, The Presentation of Choices Made, acrylic on panel. Courtesy of Eleanor Harwood Gallery. On view at Scope.



In recent years, SCOPE has gained the reputation of being the “fun” fair, full of performance and experiential programs- as well as booze. Last year they let us watch frat boys drink copious amounts of beer inside a glass room, and drink a few ourselves in the impossibly tiny two person bar, Mandy’s (complete with working beer tap!) This year, the fair is giving itself a makeover, first with a new logo, followed by a new, slightly smaller venue--conveniently located right across from The Armory Show. The size of the fair has been intentionally scaled back, in order to give SCOPE a chance to flex its curatorial muscle, and trim the fat so to speak. With the rebranding, the fair is continuing to adhere to its commitment to bring exciting curated projects for visitors to experience, along with the carefully selected galleries hocking their innovative art works. The special programming presents visitors with SCOPE’s personal curatorial vision, bringing together performance, film and installation to show their dedication to sharing art, not just selling it.





Shen Chao Liang, Untitled, 2012, installation. Courtesy of  Artists Wanted. On view at Scope.

This year, visitors will be met with all that glitters as they enter SCOPE’s new pavilion on 57th Street and 12th Ave. Curated by Miami’s edgy Primary Projects, Kenton Parker’s Infinity Trophy Room will start off everyone’s fair experience with a little sparkle and triumph. The installation is the ultimate trophy case, with row after row of identical gold prize winning statues. At first glance, we are drawn into what these trophies imply - victory, superiority and hero worship. But beyond the singular golden champion, there are a slew of capable losers. This obsession and emphasis on these symbols of victory creates an unhealthy fixation on becoming that lone winner, rather than tackle the real issue - our inherent insecurities and unacceptance of personal failures. Parker explains in his artist statement “Artistic achievement (popularized by the Oscars or Tony Awards) is called to mind as a politicized issue that seems to rely more on awarding those with underhanded agendas versus a testament to creative genius.”

After contemplating your own feelings on winning, followed by the blow of defeat, artist and Interfaith minister Lainie Love Dalby will help you heal your bruised ego with Diamond Den, a ritualistic installation of art therapy and mediation...

For more on SCOPE's special projects, click here.

-–Lori Zimmer


ARTSLANT INSIDER* - Patrajdas Contemporary



KohSang Woo, SangSik Hong, Kate MacDowell and JongSeok Yoon

PATRAJDAS Contemporary, a Philadelphia-based contemporary art project, will exhibit at SCOPE-NY March 7-11, 2012 – Booth H-01.

With a special focus on Korean-born artists, we converge talent and innovation leveraging an extraordinary curatorial opportunity to combine the works of SangSik Hong (straw sculpture), JongSeok Yoon (micro-pointillist painting), and KohSang Woo (photography) in a single exhibition. Each artist deals with desire, passion and the human condition in completely different ways, yet there is a particular unity about their work.

Adding significant punch to both the representational and narrative qualities of these works will be porcelain sculptures by Portland (OR)-based artist Kate MacDowell. While Ms. MacDowell’s intricate, inquisitive works (all referencing Man’s interaction with Nature) have an international following – this is her NYC debut.

When taken together, this selection of artworks speaks to the most elemental of human emotions: Desire, Lust and Greed, offset by our power to overcome, to recognize inherent beauty, and acknowledge our place in the world.


ARTSLANT INSIDER* - TNC Gallery








TNC Gallery

Presents: OLD MASTERS/FRESH PAINT 
March 1-April 14th  OPENING PARTY March 6th 6-9

The six artists in "Old Masters/Fresh Paint" range in age from 77 (Old) to 23 (Fresh.) The artists are Salvatore Gulino, Gail Stoicheff, Laurentiu Todie, Philip Martoglio, Vladimir Ginzburg and Alisa Ochoa. They work in a variety of paints--acrylic, water, spray, finger--and draw on images and ideas from the Old Masters who are repurposed with fresh paint. Fresh as in wet. Fresh as in new. Fresh whether young or old. The 25 year-old TNC Gallery is one of the largest and oldest alternative galleries in lower Manhattan. Its 2000 square feet of wall space is located within the Theater for the New City complex  at 155 First Avenue. TNC, founded by Crystal Fields,  is committed to being a center to the convergence of the visual and performing arts. See www.tncgallery. 

ARTSLANT INSIDER* - Amber Robles-Gordon
















Amber Robles-Gordon, "Lace", 2010, Mixed Media on canvas, 36 x 36.


Amber Robles-Gordon - Amber Robles-Gordon’s preferred medium is collage and assemblage. She focuses on fusing found objects to convey personal memories, inspired by nature, womanhood, and her belief in recycling energy and materials. Robles-Gordon completed her MFA from Howard University in Dec., 2010. Since then, several of her exhibitions have been reviewed in the Washington Post. She has recently been selected to present for the Under the Influence competition as part of the 30 Americans exhibition at the Corcoran Gallery of Art.

Amber has been commissioned by the Smithsonian Anacostia Museum, WETA Television and AlJazeera to teach workshops, give commentary and present about her artwork. She was commissioned by the DC Commission on the Arts and Humanities (DCCAH) to create a mural and granted an apprenticeship to create a public art installation.



ARTSLANT INSIDER* - Alexander D.C.D Smith








Alexander D.C.D Smith, Native Americans, mixed media, 4' x 8'; Believe, mixed media, 2' x 4'

Alexander D.C.D Smith - "There is a constant struggle for balance inside me that energizes my art. This struggle stems, in part, from who I am – a biracial artist who has had to contend with issues of identity and who constantly examines who he is. In my art, as in my life, I examine these issues of duality. To me, everything has an opposite: good and bad, positive and negative, flat paint and gloss paint, control and its loss. My work explores these dualities and challenges the viewer to do so as well.

"As ideas emerge for new pieces, so too do color schemes. I see the work in my head before a single drop of paint hits the canvas. The textures, however, evolve organically with each subsequent layer of paint, as my conscious mind and subconscious mind strive to create balance in the piece."



ARTSLANT INSIDER* - Margaret Brown Halsey






Margaret Brown Halsey, Magenta and Black on Green, 2011, watercolor, 24" x 18"

Margaret Brown Halsey - "My life has been devoted to the pursuit of art - painting, teaching, lecturing, writing, and designing.  I studied at the Art Student's League in New York City, and received my Ph.D from New York University.

While living in Europe, I studied at the Academie de la Grande Chaumiere, the Academie Julian, and the Sorbonne in Paris.  I also studied at the University of Pisa at Viareggio, Italy.  My life has been enriched by my travels, which have afforded me the opportunity to view the works of the major art museums of the world. For a number of years I wrote as an art expert for the Annual Edition of the Encyclopedia Americana.  I reported on the major exhibitions in American art museums."

Margaret Brown Halsey was born in Texas and has spent most of her adult life in New York City.


Thank you to all of the art fairs, galleries, organizations, institutions, curators and artists who bring us this New York extravaganza.


For more information on our Special Edition packages featuring ArtSlant Insiders and Watchlist for galleries, artists and art services, please contact Sunny@artslant.com.




Offering a Little of Everything in Art

 

By Mark Jenkins, Published: February 23


For Washingtonians who haven’t regularly prowled local galleries over the past year, here’s a chance to catch up. The Washington Project for the Arts’ annual auction, dubbed “Select,” happens March 3, and until then the available work is on display on the lower level of the former Borders store at 18th and L streets NW. The array is not designed as a comprehensive overview of the current Washington art scene, but it’s a pretty good one nonetheless.

Chosen by eight curators, plus the WPA board, “Select” includes works by about 100 artists. Many of them are local or have a local connection (although there are ringers from as far away as Moscow). The participants include such well-established figures as William Christenberry (a screen print of battered cans, as well as an unexpected abstract drawing), Dan Steinhilber (an abstract “painting” made of mulched plastic bags) and Leo Villareal (a shifting, LED-generated red “sky” inside a plexiglass box).

 




The art is grouped by the curators who picked it, which makes for some interesting affinities. The work selected by Seth Adelsberger, for example, tends to be brightly colored, mixed media and on paper. Overall, though, the assortment is as diverse as the local art scene, in form and theme. There’s plenty of abstraction but just as much representation, and the latter ranges from Muriel Hasbun’s eerie photo of a boy with stuffed cats to Lisa Ryan’s portrait of a young, gun-toting Michael Caine.

There are, of course, views of our town, both federal (Lilly Valle’s “Trifecta” of monumental structures) and funky (Billy Colbert and Ken Ashton’s “The Reinvestigation of a Neighborhood,” a collaged tour of pre-gentrified Shaw). Komar and Melamid riff on historical imagery with “The Great Seal,” featuring our first president, while Paul Miller, a.k.a. DJ Spooky, tweaks militaristic patriotism with “Manifesto for the People’s Republic of Antarctica, Poster One,” featuring belligerent penguins.


But Miller (a New Yorker who grew up in the District) is no more typical of “Select” than Amber Robles-Gordon, who contributes two of her hanging-fabric abstractions. There may not be something here for everyone, but that’s not because the selected artists are all grimly conforming to one or two dogmatic -isms.


http://www.washingtonpost.com/lifestyle/style/offering-a-little-of-everything-in-art/2012/02/22/gIQAFyIUWR_story.html

Friday, September 02, 2011

Washington Project for the Arts is pleased to announce OPTIONS 2011






Washington Project for the Arts is pleased to announce OPTIONS 2011


Exhibition Dates: September 15 - October 29, 2011


Exhibition Location: 629 New York Avenue, NW, 2nd Floor, Washington, DCOpening Reception: Thursday, September 15, 6-8pm

Curators Talk: Saturday, October 1, 3pm

Washington Project for the Arts is pleased to announce OPTIONS 2011, the fourteenth installment of WPA's biennial exhibition of emerging and unrepresented artists from DC, Maryland, and Virginia.


OPTIONS 2011 will take place from September 15 through October 29, 2011 at 629 New York Avenue, NW, 2nd floor, Washington, DC. Highlighting the breadth and diversity of contemporary art practice in the area, OPTIONS 2011 will include work by fourteen artists selected by curator Stefanie Fedor.

Participating artists include: John James Anderson (Washington, DC), Bittersweet Zine (Washington, DC), Heather Boaz (Baltimore, MD), Amy Chan (Baltimore, MD), Mahwish Chishty (Hyattsville, MD), Lisa Dillin (Baltimore, MD), Adam Dwight (Takoma Park, MD), Twig Harper (Baltimore, MD), Artemis Herber (Owings Mills, MD), Katherine Mann (Washington, DC), Jimmy Miracle (Washington, DC), Amber Robles-Gordon (Washington, DC), Oscar Santillan (Richmond, VA), and Stewart Watson (Baltimore, MD).

Wednesday, August 24, 2011

Delusions of Grandeur: Ascension


















artists:

www.shauntegates.com
www.jamearichmondedwards.com
www.amberroblesgordon.com


Parish Gallery
1054 31st St NW
Washington D.C., DC 20007-6034
(202) 944-2310


www.parishgallery.com/

Thursday, August 04, 2011

Delusions of Grandeur: Works by Shaunte Gates, A.Robles-Gordon an J. Richmond-Edwards

























Mandarin Oriental, Washington D.C.
Exhibition: July 14 -August 12, 2011
Reception:

August 8, 2011 6-8pm


Sounds by DJ Control

The DC Commission on the Arts and Humanities presents an exhibition of new art works by Shaunté Gates, Jamea Richmond-Edwards and Amber Robles-Gordon, Delusions of Grandeur. This exhibition is the result of an artistic dialog about the “delusions of grandeur” they each possess in order to continue progressing in their careers and most importantly in their artwork. Their paintings and mediums are formally very different and highly individualized— Gates style of infusing his paintings with various pieces of print media and assemblage creates very elusive narratives; Richmond-Edwards collage together ink drawn women with printed papers and embellished materials, her elaborate collages mimic those that would be seen in fashion lay-outs in magazines; and Robles-Gordon focuses on fusing found objects to convey her own personal memories inspired by nature, womanhood and her belief in recycled energy. In spite of their different approaches, they all share important intentions; to directly engage the viewer to take a look into their world of opulence, fantasy and power.

Artists
Shaunté Gates work combines multiple processes and genres, by taking appropriations and gestures from pop culture and print media which are combined to create elusive narratives.

Gate’s works seduce us into an imaginary world of juxtaposition and fantasy, a place when the contradictions of culture and the human psyche are collided. His mixed media paintings capture the beauty in subjects that may appear bleak to the average eye at first glance. Gates ideas are derived from the pain, joy, and the beautiful way everything universally is connected.

Jamea Richmond-Edwards work explores the contradictions of female and cultural identity and makes reference to Greek Mythology, African folklore and international fashion. Richmond-Edwards examine how mythologies from ancient times translate into today’s culture and time allegorically. Her figures are empowered by their survivalist adaptation to circumstance. Their sharp features are inspired by both high fashion models and the everyday women in her community.

Amber Robles-Gordon mixed media artworks draw upon her journey through motherhood, genealogy, healing, and being alive today. They represent her technical and scholarly growth as an artist, and are supported by her professional development in the Washington, DC area. Her two- and three-dimensional pieces fit within an expansive notion of painting and sculptural form. She uses wood or painted, stretched canvas to support an accumulation of media in low- or sharp-relief. These assemblages require a close look to interpret their individual parts. Collectively, these parts form a visual energy comprised of the previous “lives” of the objects, their former owners, and the artist’s hand.

Artists work can be viewed at

www.shauntegates.com, www.jamearichmondedwards.com,

www.amberroblesgordon.com

for interview and appointments, contact:

Amber Robles-Gordon


202-417-4888